I’m excited to be writing for the Ploughshares blog in 2016. My personal blog will, of course, suffer for this, but these are exactly the kind of subjects I want to be writing about, and I’ll post excerpts and links here. My first one appeared on January 11.
As I closed in on the first draft of a novel, I wrote toward an ending I’d held in my mind for months. It was a quiet climax in keeping with the, ahem, literary nature of my novel. I knew that when I finished the draft, I’d have to smooth out the road between, say, pages 75 and 300, maybe even rewrite them completely. But that final scene was divine. Tears would probably fall to my keyboard as I wrote it, and readers, in turn, would weep.
Instead, when I reached my perfect ending it was dead. After a period of mourning, I pulled out my trusted writing books and flipped to the sections on endings.
I began with Robert McKee’s Story, a book about the principles of screenwriting, which is to say it’s about plot. It’s peppered with references to Aristotle’s Poetics, including Aristotle’s requirement that an ending be both “inevitable and unexpected.” McKee’s prescriptions can be reductive but his confidence is overwhelming. If nothing else, I figured his advice on the matter of endings would be clear.
“If…as the protagonist takes the climactic action, we once more pry apart the gap between expectation and result, if we can split probability from necessity just one more time, we may create a majestic ending the audience will treasure for a lifetime. For a climax built around a Turning Point is the most satisfying of all.”